I’ve been obsessed with fashion since childhood.
I grew up watching my father and two brothers get their first jobs, then spending hours at a time doing work for my mother and father.
When I turned 14, I took a job in the garment industry, which wasn’t my best fit.
I made $16 an hour as a garment worker.
I thought I was a dream job, but after four months, I quit.
My parents were furious.
I told them I was going to take whatever money I made and go back to school.
But instead, I ended up getting into the design business and graduating with a Bachelors of Science degree in design from New York University.
I’ve always been fascinated by the intersection of design and fashion.
It’s what I’ve done for my entire life.
I want to do more than just design clothes, I want the next wave of designers to take my idea and make it into a reality.
I’ve always known I wanted to do something with fashion.
My father, a retired teacher, said I could learn fashion design from the old masters of the trade.
I loved that.
I also loved how fashion was so intertwined with my life and that I could make money from it.
But for years, I didn’t have the confidence or the skills to get into fashion design.
I needed to take a step back and think about how fashion could be a part of my future.
I want to share my story to show that fashion can be both an art and a science.
I’m the son of a woman and a father of four, so I’m proud of all the women I’ve worked with and all the work I’ve created for them.
I don’t have any money and I’ve never done much of anything myself.
I just wanted to learn.
I had to think outside the box and think different ways.
I started by reading a lot of books and reading about different types of designers.
I found myself learning about the techniques of designers like Frank Stella and Frank Stella’s design studio.
I read books on how to design and how to craft designs that looked like I wanted them to.
I realized I had a lot more work to do than I thought.
I began working on my first designs with a friend of mine, Michael.
I showed him the pieces I’d made and he said, “That’s what you should do.”
We talked about how to make a logo, how to create a logo and what to look for.
I asked him to design something that I thought looked like a logo.
He was able to give me some ideas on how he wanted to use the logo.
Then I came to the realization that I’d like to work with people who have more experience in creating a logo or a logo design.
It took me a while to realize that my work would take a little more time.
I wanted a designer who I felt I could trust, so when he asked me to do the logo for a brand, I knew I had something to offer.
Michael and I went to his shop in New York and they told me he’d designed a logo for Adidas.
I worked with him and he loved it.
He said I’d never be able to do this with a designer I trusted.
So I worked on it with Michael, who was working in another industry and we ended up doing a few designs.
The first one was a design for Nike.
It was a logo that would be perfect for the brand.
We put it together with Michael and he did a lot to help me finish the project.
I wanted to give a little back to the people who taught me about the craft of designing. I didn